Renovation: History
What an extraordinary effort! 
A short twelve years after the Kansas Territory was opened for settlement
and five after Kansas statehood, the state legislators were admiring
the architects' drawings for the new Capitol, at more than 300,000 square
feet, one of the largest in the nation. House Bill 34, entitled "An
Act Providing for the Erection of the Statehouse" was passed by
the House and Senate and signed into law by the Governor on February
14, 1866. The architect whose drawings first inspired the creation of
the bill was Edward Townsend Mix, a 35-year old architect from Milwaukee
who studied in New York City. Cyrus Holliday of Topeka, Chairman of
the Committee on Public Buildings had Mix create the drawings. Championed by the Governor, local Kansas architect
John G. Haskell also drew up his concept of the Capitol and placed it
before the Committee. The initial plan was to build only the east wing
of what would be a much larger building. The east wing was to be followed
by the west wing, then by the center dome and north/south wings. Eventually
the Mix plan was changed substantially, and today the design for the
east wing is viewed as being more that of Haskell than Mix.
One of the Committees first actions was to hire Haskell as the architect
for the project and set forward a number of changes to the previously
approved Mix plan. The design objectives directed by the Committee included
concern for fire resistance, natural lighting of rooms, and that the
wings be attached after the manner of the wings of the National Capitol.
Haskell was also directed by the Committee to learn the latest techniques
of heating and ventilation by taking a trip to the monumental buildings
of the eastern United States, but to go no further than Philadelphia.
Meanwhile, the search for a suitable building stone reached a feverish
pitch. Of concern were both the quality of stone and the ability to
quarry and transport sufficient quantities for timely supply to the
building. The appropriate Kansas limestone was found near Manhattan,
but there was no railroad constructed to transport material to the building
site. Instead, the building began with stone from a local Topeka quarry.
This Topeka limestone did not harden sufficiently between quarrying
and construction of walls. By the following spring, the frost cycles
of winter had severely deteriorated the last stones to be quarried.
A decision was made to substitute Junction City limestone for the Topeka
stone and the deteriorated pieces were removed and replaced with the
new stone. By early summer of 1867, the contractor complained that the
delays in the delivery of the stone were keeping the work from being
completed on time. Local masons from Topeka replaced the stone contractor
who requested and was released from his contract, and the stonework
of the Capitol progressed with greater speed. All stonework of the building
was done on site, except the capitals for the columns, which were done
by a firm in Chicago. Stone was shipped from Junction City to Chicago,
carved there, and then returned to Topeka. Full capitals, such as for the porticos, cost $800
and the capitals for the pilasters were $400. Bonds, general appropriations,
and proceeds from the sale of State land provided funding for the construction
of the east wing. Until the west wing was built, the legislative hall
was split in two to accommodate the House of Representatives and the
Senate, and included eight rooms for the clerks and committees. In
1881, the House moved into the new west wing before it was fully completed.
The legislative hall was redone as the Senate Chambers under the direction
of architects Haskell and Wood.
The Kansas Governor
and Legislature wanted the finest Capitol for their State. They
felt the Kansas Statehouse should rival the National Capitol as
well as any of the best capitols of the eastern states. In Kansas
in the 1860s, many of the typical houses were crude shacks and
soddies. Perhaps the people of Kansas saw in their Capitol an
expression of their pride in Kansas and their hope for the future.
As the west wing rose from the earth, and then the center section
was filled, followed by the rotunda and capitol dome reaching
skyward, they could see that their faith was well placed. Their
Statehouse grew, as did their own homes and their communities.
Although it was formally
called the Kansas Statehouse, it was truly the Peoples House,
and became both the symbol of governance and democracy. The Italian
Renaissance Revival of Roman building, with its Corinthian columns,
symbolized democracy in 19th-century public architecture. Because
of this, the style was selected for the US Capitol and most capitols
of the other states in the union.
Numerous newspapers
of the day praised the Italian Renaissance Revival style of the
Statehouse for its sense of strength, its association with governance,
and its tangible feeling of permanence. As they said, It is being
built to last a thousand years.
Stewards of the Legacy
The last portion of the original building was designed by Kenneth McDonald
of Louisville, KY, and completed in March, 1903; however, even then,
the building was thought to be incomplete. In 1917, improvements were
made to the east wing to match the quality of details and finishes of the rest of the building. Still, elements
of the building remained unfinished, including the Statue of Ceres at
the apex of the dome, bas-relief sculpture in the tympanums of the porticos,
and the interior sculptures and other works of art. The Governor and
the Legislature had almost completed the State's greatest architectural
treasure. Now they had to maintain the State's treasure. In 1902, before
the building was completed, preservation of the building materials began
with stone repair. In 1917, the deterioration of the stone exterior
of the east wing was addressed. The interior of the building remained
in good condition until the beginning of the 1920s, when a need for
more space caused the infill of portions of the corridors. As electrical
lighting became less expensive and more common, changes to the interiors
included the blocking of skylights and using electric-powered light
to replace natural light. The interior was no longer painted with natural
light as the architects had intended.
As the 1920's gave way to the 30's and 40's and beyond, the historical integrity of the interior
fell victim to the great need for more office space, for higher levels
of lighting, and for air-conditioned comfort. The relationship between
the stewards and their building exhibited an ongoing struggle between
the needs of the users and the preservation of the building. In many
cases, decorative painting was painted over rather than being retouched.
In other places, the decorative painting was submerged under a layer
of plaster. Modernization of the mechanical systems changed beautifully
proportioned spaces by adding dropped ceilings. The spectacular marble
corridors of the upper floors became crowded with desks, filing cabinets,
stored chairs, wastebaskets, copy and vending machines, and even workstations.
The passageways of the basement became clogged with pipes, duct work
and conduit. The windows were removed from the basement and filled in
with concrete block, leaving it fit only for storage and a few isolated
offices. Over the last decade and a half, much has been done to remove
intrusions to the interior of the building, including projects such
as removal of wall-mounted electric wiring. There is still much to be
done to restore the historic integrity of the entire building. Fortunately,
most intrusions can be reversed without loss of, or damage to, historic
materials. The partial restoration of the Senate Chambers and Hall of
Representatives illustrates the amazing transformation when historic
elements regain their original finishes. Today's stewards of the Capitol
are taking action to preserve the most important historic building in
Kansas.
As individuals, none of us would take our grandfather's valued gold
watch and pass it down to our grandson without first making sure that
the metal was polished, the broken crystal replaced, and the internal
workings were operating with the greatest efficiency possible. So be
it with the Capitol.
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